Damned movies, cinema legends, performance, a trance…
Guy Maddin’s new project at Centre Pompidou, featuring Ariane Labed and other stars such as Mathieu Amalric, Amira Casar, Udo Kier and Charlotte Rampling, has all the right ingredients, and best of all, is open for all to see.
Cult Canadian film-maker Guy Maddin invites anyone in Paris or with an internet connection to follow him and his actors live as they meditate and then shoot lost, unreleased or unfinished films by the likes of Hitchcock and Eric von Stroheim…
More info on the Pompidou Center website.
Follow the shoot live with 3 cameras on the Nouveau Festival / Spiritismes website.
For your embeddable pleasure, a story of bags, fashion, crime, and more bags, commissioned by Vogue Italia.
Who is hiding behind those Prada shades ? What is she doing ? Will she get caught ?
A Short Film With
LA MAIN DANS LE SAC
Quinta Witzel @ IMG Paris
Romina Manenti @ Airport
Shane Aspegren & Lori Schonberg
The Berg Sans Nipple
Stimuleyees and Stimuleyettes, at last, here it is – the Vogue Italia film commission for bag designers Jamin Puech… La Main Dans Le Sac / “Caught Red-Handed”When Vogue Italia asked us to make a film for their A Short Film With section with bag designers Jamin Puech, we were at first a bit puzzled. Up to that point, all the films in the section were built around designers preparing their fashion shows, but Jamin Puech didn’t have fashion shows.So we drew inspiration from the opening scenes of Hitchcock’s MARNIE – we never see the face of Tippi Hedren who plays a con artist opposite Sean Connery. We only see a silhouette do questionable things with different bags, purses and luggages… Together with stylist Michaela Dosamantes we built graphic and cinematic scenes around each bag, building up to the moment she gets caught.
Bag by Jamin Puech, glove by George Morand, suit by Max Mara, necklace and ring by Karry' O, bracelet by Andra Neen. Photo by René Habermacher.The title is a French expression meaning “the hand in the bag” which means that you’ve been caught in the act.It was too perfect a title.
Left: jacket and trousers by Carven, blouse by Equipment, sunglasses by Prada, necklace by Andra Neen. Right: coat and belt by Dries Van Noten, gloves by George Moran, necklace by Andra Neen. Photos by René Habermacher.Though we loved the Hitchcock soundtracks, and used it to set the mood while editing, we wanted something more contemporary and original for the sound, so we asked our past collaborator Lori Schonberg and his colleague Shane Aspegren of the Berg Sans Nipple to write something for us.
Top + pants by Giambatista Valli, Fendi belt, Pierre Hardy shoes and Karry’O earrings.
Photo by René Habermacher.Of course the film also benefits from the setting : caviar and seafood restaurant Prunier, by the Arc de Triomphe in Paris, where you can treat yourself to “all that comes from the sea”, including delicacies such as the “Christian Dior” oeuf en gelée with Tradition caviar. Designed in 1925, and owned by Pierre Bergé since 2000, the restaurant is an Art Déco jewel, featuring the work of the best artists of the time, such as I.M. Cassandre, but also of modern artists like Bob Wilson, whose installation sits at the bar.
La Main Dans Le Sac by Antoine Asseraf & René Habermacher – more info, full fashion and production credits: www.maindanssac.comBuild with Erosion, by The Berg Sans Nipple.Special performance at Musée du Quai Branly on June 12, 2011.