-First, he covered them up with a resin mask, then he cut their eyes out, with a scalpel and after with a laser. This is not Dexter, this is artist Marc Turlan, who always finds new ways of torturing magazines.With his latest solo show EXO STAR he is taking an artistic leap, opening this saturday at Galerie Anne de Villepoix in Paris.
Marc Turlan: protest board 1 and 2, a collaboration with british photographer Timur Celikdag. Courtesy gal Anne de VillepoixThe new sculptures of Marc Turlan conclude a logical extension of his appropriative work with the pages of glossy magazines:“The base of all i do is collage. The technique for my sculpture is the same way, it’s like 3 dimensional collages.”Right in the first room, the program for the exhibit gets clear: a gym workbench, weight bars in a stack, and 6 sheets of mirror, each with a word inscription of mirror mosaic, that serve as the commandments for this show: WORK – NOTORIETY – SINCERITY – POWER – LOVE“It’s about the body. it’s erotic. Its a fetish to have in your mind to transform your body, to make a new image of yourself” he explains, next to two sculptures that look like snaffle headpieces with star shaped marble weights hanging from its leather thongs. It is inspired by gym gear to work your trapezius muscle. The materials surrounding us – leather, marble, mirror, wood. Marc Turlans recurrent structural elements are evident: eroticism, vanity, fetishism and notoriety.
Left: Marc Turlan's "Star Rack", and right: the artist himselfAnd there is of course, the star: “The star is the representation of the absolute, its a simple symbol for everyone. This desire, or fantasy to be recognised, to be famous, to arrive at this point… I use the star in marble.”In Marc Turlans “gym” you actually work out with the star as a marble weight, stemming the symbol of the desired recognition and thus transform yourself through and towards that idea.The second room is pitch black and only lit by pulsating light bulbs on a cluster of stars, an array of audio sculptures speak to the visitor with each a “collage sonore” (sound collage). Corresponding to the acoustic rework of a writers text hangs a framed object, containing a book of the same author with a mirror mosaic highlighting a sentence.“I keep a sentence very different to the audio collage. It is a proposition, an open invitation. I don’t work in an interactive way. I am interested in the object. It becomes a sculpture” he explains.Near the pass to the next room the only book that depicts an image and with this marks the transition to the last complex of works. It’s all about stars and fashion magazines. But now the presentation enhances the fact that the magazines departed from being just the source of material. They become objects themselves, so does the frame and the fixture. It becomes altogether an installation: A cabinet of seven blocks present the works on shelves, hung, or in frames that at times can be turned and reveal a mirror. Mirrors everywhere. “Beyond, beyond, beyond the mirror”, as Patti Smith proclaims earlier in one of the audio collages.Marc Turlan: EXO STARopening Saturday 10th, running to October 15th 2011at Galerie Anne de Villepoix, rue de Montmorency, 75003 Paris
The Stimuleye is back from summer hyper-hybernation.
After a galloping transatlantic spiral of frenzy, we lay exhausted for days on various shores around the globe. Meanwhile, not entirely lazy, some of the Stimuleyes danced away in Watermill or invented a bookclub of a new, performative kind, shuffling readings of MANHUNT, STILETTO and Jackie Collins’ masterpiece THE STUD into a new, exciting bootleg. But more about that later.
During this hot days another Stimuleye project rushed through printers rotation: a collaboration with Marina Abramović featuring Freja Beha Erichsen photographed by René Habermacher for POP magazine.
Freja Beha Erichsen and Marina Abramović, both posing with Marinas "mini-me" and wearing GIORGIO ARMANI Photography by René Habermacher
The Fall Issue will feature 2 covers with Marina and Freja and an inside story with exclusive interview, plus a limited edition hardback showing Marina’s death mask. Some of our fellow readers might recognise another co-star: yes, it’s Daisy the Boa which we met in Manchester, in an attempt to strangle the alter ego of Marina, her “mini-me”.
Coming soon to the newstands, the new POP is investigating this time THE REDEFINITION OF THE LADY. As Ashley Heath, its publisher puts it:
“POP has been exploring the notion of a very particular kind of modern fashionable woman. But it’s shifting all the time in such an interesting way. There’s a very liberated, new-world perspective to it and I think Marina Abramovic taps into that. She’s a figure who will only continue to grow in influence I believe. You hesitate to use the word ‘icon’ these days, but Marina and Freja are both resonant female role models at a time when lowest common denominator so often rules the day”
POP's Special edition Hardcover with Marina Abramović's death mask and "mini-me" wrestling with Daisy. Photography by René Habermacher
MARINA CREDITS: Styling Isabelle Kountoure , Hair by Chi Wong at Julian Watson Agency using Shu Uemura Art of Hair, Make-up Yannis Siskos at Effex using Giorgio Armani Cosmetics, Photography Assistance Jonathan Flanders & Hannan Jones, Digital Remastering The Stimuleye, Snake Wrangler David Steward for Creature Feature, Production Lynsey Peisinger for The Stimuleye
FREJA CREDITS: Styling Isabelle Kountoure, Hair Peter Gray at The Collective using Shu Uemura Art of Hair, Make up Romy Soleimani at Management Artists, Manicure Tracelee Percival at Vue using Priti NYC, Model Freja Beha Erichsen at IMG New York, Casting Angus Munro at AM Casting, Streeters NY, Photography Assistance Cesar Rebollar, Fashion Assistance Jodie Latham, Stephanie Waknine, Rebecca Sammon & Michaela Dosamantes, Digital Technician Dilek Islidak, Digital Remastering The Stimuleye, Set Design Anne Koch at CLM NY, Production John Engstrom at Scheimpflüg Digital, Shot at Eagles Nest Daylight Studios NYC
The Stimuleye is proud to announce its new eye, created by artist Marc Turlan.
Preview of 25 HYÈRES film, directed by Antoine Asseraf.
I had the pleasure of meeting Marc Turlan in his atelier in 2007 when making the first teaser for the Hyères fashion and photography festival.
For what was to be his first solo exhibition, MANQUE (“lack”), Marc had prepared a series of sculptures based on magazines partially hidden under resin-masks. The result was very Friday the 13th.
Then in 2008, Marc made a limited series of sculpted magazines, TORN MAG.
He carved magazines, as objects, blindly, until their substance was exposed. Since then, his work has evolved to ink drawing, laser cutting, metal beading… on magazines.
Full view of the TORN MAG piece. 2008, courtesy of Gallerie Anne de Villepoix.
Last year, Marc returned to Hyères with a new exhibit inside a custom-made wooden bunker, SUMMER HOUSE, which is featured in the upcoming film “25 Hyères”.