EYE 2 EYE

  • EYE 2 EYE

    EYE 2 EYE: la lutte de l’amour

    - by antoine

    Caroline Daily interview of Antoine Asseraf about “La Lutte de L’Amour” (The Struggle of Love), the SS2011 film he made for Erotokritos.

    Caroline Daily: what is the first film which made an impression on you ?

    Antoine Asseraf: The most striking memory for me is David Lynch’s Lost Highway.
    It was my first Lynch, and the mix of glamour and goth, the changes in personality, the concept of looping, free intepretation, all left me without voice.

    With David Lynch, there is always a staggering artistic direction, a mix of architecture, music, design and casting which create entirely novel worlds.

    In a different register, there is also Danny Boyle’s Trainspotting, which left a mark because it’s such a violent film, but with an “english” type of violence – very different from the hollywood violence to which i had grown accustomed.

    La Lutte De L'Amour

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  • EYE 2 EYE

    sensibility embedded in its fabric

    - by rene

    The Victoria and Albert Museum presents one of the most influential and enigmatic fashion designers of the last forty years: Yohji Yamamoto. Shortly before the opening, THE STIMULEYE caught up with V&A Contemporary Curator Ligaya Salazar, curator of this installation-based retrospective, exploring the work of a designer who has challenged, provoked and inspired with designs that have rewritten notions of beauty in fashion.

    Photography_Nick_Knight_Art_Direction_Peter_Saville
    YOSHJI YAMAMOTO Photography Nick Knight, Art Direction Peter Saville

    “The timeline will consist of a mixture of clips of key fashion shows from the last 30 years of his illustrious career, some bits about his main collaborations in film, performance and photography and some very special extras. I hope that this will help shed light on Yamamoto’s extraordinary approach to collaboration” – Ligaya Salazar

    On display are 80 women’s and menswear garments, which are most representative of his work that is recognised for subverting gender stereotypes and has featured women wearing garments traditionally associated with menswear. The exhibition also includes  menswear items from the Autumn/Winter 1998 season which was famously modelled on women.

    Accompanying the exibition, Ligaya produced a series of images with Nick Knight, styled by Katie Grand, and edited a stunning Book that also sheds light on Yoshji Yamamoto’s relationships with other creative collaborators: including Peter Saville, Marc Ascoli and M/M (Paris), Pina Bausch and filmmakers Takeshi Kitano and Wim Wenders.

    René Habermacher sat down with curator Ligaya Salazar for a chat on this and her curatorial work on the projects…

    RENE HABERMACHER: Hello Ligaya! how is things? Tense, so short before the opening?

    LIGAYA SALAZAR: Ha! We are actually a little ahead of schedule, awaiting Yohji’s visit

    Now i am impressed!

    Yes he will be coming to the V&A after his Ready-to-Wear show to check everything is in order and to paint on the gallery walls!

    I would assume usually that would come first- the painting….

    Oh no — not painting the gallery walls, he will be painting life-size silhouettes on the wall behind and amongst the mannequins. It will be very special.
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